"You open it, Ruth. He’s nice. She could not say who, not yet. Of all crafts,—and it was the only craft his poor father, who, to do him justice, was one of the best workmen that ever handled a saw or drove a nail, could never understand,—of all crafts, I say, to be an honest man is the master-craft. But one day he came to me. In the corner of the room were two hockey-sticks and a tennis-racket, and upon the walls Ann Veronica, by means of autotypes, had indicated her proclivities in art. But just now there is nothing which you or anybody can do. I always say that it’s poverty before everything that makes a girl skip the line. “Don’t you know, child, that this is torture for me? What in God’s name more can you have to tell me?” Her face had become almost like a marble image. The customary gold band was missing; but a soft gold Chinese ring Spurlock had picked up in Singapore—the characters representing good luck and prosperity—was slipped over Ruth's third finger. People are afraid of her that no one has ever dared to make fun of her.
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