His noble Florentine roots went back a thousand years, to the days of grand Rome herself. He smothered a laugh. Ann Veronica had come to the Imperial College obsessed by the great figure of Russell, by the part he had played in the Darwinian controversies, and by the resolute effect of the grim-lipped, yellow, leonine face beneath the mane of silvery hair. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. The less she lived, in fact, the better.
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