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Her ideas of women’s employment and a modern woman’s pose in life were based largely on the figure of Vivie Warren in Mrs. No Cantonese was in those days permitted to cross to the Sha-mien after sunset without a license. She always managed to get back to the bungalow before he did. Buried under various ancestral sixteenths, smothered under modern thought, liberty of action and bewildering variety of flesh-pots, it was still alive to the extent that it needed only his present state to resuscitate it in all its peculiar force. “Yes,” he said, “I shall come. Stanley, standing on the hearthrug with his back to the unlit gas-fire.
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