On the groundfloor the shutters were closed, or, to speak more correctly, altogether nailed up, and presented a very singular appearance, being patched all over with the soles of old shoes, rusty hobnails, and bits of iron hoops, the ingenious device of the former occupant of the apartment, Paul Groves, the cobbler, to whom we have before alluded. He went into the study and sat down at his table, but not to write. The real Ruth was as completely hidden as though she stood behind the walls of Agra Fort. “Have to take your turn,” he remarked laconically. There is only Gerald to see me, after all. ‘They’ve gone, miss,’ came the answer, muffled through the panel door. “Remember,” he said, “you are not by any means a dying man now, but you’ll never pull through if you don’t husband your strength.
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