Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “Good God!” he exclaimed. "I am come to render you a service. Most of the horses were dead, all but three stallions and two mares left among what was once a thriving stable. It was a clear, lovely, October morning. She would marry him. She answered weakly, “I’m fine, John. "If you doubt my word, woman," replied the carpenter's wife, coldly, "ask Mr. Her aunt had summoned up an altogether too vivid picture of her father as the masterful man, overbearing, emphatic, sentimental, noisy, aimless. It dawned upon him that he had been abominably used by Ann Veronica. This is clear over my head.
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