The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. One might have said that these trees grieved for their native soil; and, grieving, refused to bear. Each morning his inquiry was properly answered: the patient was steadily improving, but none could say when he would be strong enough to proceed upon his journey.
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